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Issue 72: "The Wake: 3 In Which we Wake"
Neil Gaiman, Michael Zulli
Pam Winkler notes:
Well, actually there is another book in the picture.
Eblis O'Shaughnessy's book, in the lower right corner of that panel. Thus implying that the formula for the funeral, even down to the mourners is in the funeral book. Not sure if it makes much of a difference, but it does clear things up a bit.
Yet in one of the Brief Lives issues (i forget, they're in the car) they specifcally say Destiny is blind and has no eyes.
As a matter of fact we never see his eyes any time beyond this i think. What's going on here (I may seem to be a bit picky, but Destiny has always been my favourite character).
When we see him actually, he seems well, young, sensitive, not innocent but not the fatalistic persona we usually see him as either. Now this may be the change in artistry we see so often and changes in personal types seen just as much, but whenever we HAVE seen him up close (Orpheus, Seasons of Mist Intro, Necropolis of Despair's and Brief Lives) he has remained the same. An old man with closed eyes, now this, once again, whats going on here?
Matthew Noel's
Interesting on the Dialogue of the Family while others are waking Death
says it's not for eating its a table decoration, and ealier Mathew said
that's what the all the food is there for.
Well, this would seem to continue to work with this new view of Destiny.
Perhaps the Destiny that remained after the reality storm is a younger
Destiny who is maybe warmer (I don't know about anybody else, but it
always seemed to me that the 'regular' Destiny seemed to take some
enjoyment in telling people, specifically Dream, things about his destiny
that he didn't really want to know... while this Destiny seems at least a
bit sad for his brother...), younger (the new Dream would affect anything
that could dream, right? Maybe that gives the whole universe a fresher
look at their lives and destiny?), and one who has eyes that could see
(also an effect of a new Dream, perhaps?).
As Morpheus's funereal barge goes over the waterfall, the
figurehead keeps changing. Notice when it becomes the hand
holding the Ruby, it's being clutched very violently, reminiscent
of the end of the Preludes and Nocturnes storyline
when Dr. Dee crushed the Ruby with his bare hand, returning its
power to Morpheus. In The Wake trade paperback,
this sequence is expanded to stretch over three pages, and when
that particular form of the barge is drawn, Zulli gave it two
hands, and they're cradling the ruby much more gently. Also, in
the trade, Zulli saw fit to include a version of the barge with
Morpheus's visage as the figure head, with short hair, which
appears between the Helm-barge and the Ruby-barge.
Perhaps these figureheads correspond to various important points
in Morpheus's existence (his falling-out with Orpheus, his
imprisonment, the destruction of the ruby and the beginning of
this chronicle)?
Thanks to:
-- Lord Vetinari
This file was last modified 27. Jan 2007 by root