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                         The Annotated Sandman
               Edited by Ralf Hildebrandt and largely written by Greg Morrow
                      Issue 43: Brief Lives Three
              Neil Gaiman, Jill Thompson, and Vince Locke

Notes:  See #41.  The first two chapters in this issue are strongly
demonstrative of the primary theme of "Brief Lives".  Chapter titles in
this issue seem to be mostly descriptive.  Note that the fourth chapter,
which is "Bored, She Makes Little Frogs" (pg 10 panel 3--pg 12) if we
believe the title page, follows the fifth chapter, "Truth or Consequences, 
and Other Places" (pg 9--pg 10 panel 2).  This break is also unusual for not 
coinciding with a page break.

1: The People Who Remember Atlantis

Page 1 panel 2:  The saber-toothed tiger (genus Smilodon) is not, 
taxonomically speaking, a tiger, or even a feline.
	"Echo-Atlantises" may be intended to refer to the Atlantises of
Aquaman and Arion, two other DC comics.  In the former, set in the present
day, Atlantis comprises two sunken cities inhabited by amphibious humans. 
In the latter, the title character rules as the last mage-king of a dying
Atlantis, set 45,000 years ago.  (There is an Arion mini-series set in the
present day which does not concern Atlantis.)  _Books of Magic_ #1 also
refers to the several Atlantises.
	Panel 3:  The "great lizards" are dinosaurs; "dinosaur" comes from
Greek roots meaning "terrible lizard".  Pictured is a dinosaur with a collar.  
The dinosaur used could be any one of a large lineage of carnivorous, bipedal 
dinosaurs, including the famed Tyrannosaurus rex.
2: Concerning Mammoths, and Falling Walls

Page 2 panel 1:  Capax:  From Latin, meaning "capable; able to take or
receive; able to understanding; able to deal with or endure".
	Panel 2:  Marquis de Sade:  Donatien Alphonse Francois, Comte de
Sade (1740-1814), a French soldier turned novelist, infamous for the
unusual sex acts described within his works.  De Sade is eponymous for the 
psychological term "sadism".
	Panel 3:  Note the ads on the newstand.  "Post no bills" is an
old phrase, meaning, roughly, "this ain't no damn bulletin board so put your
fuckin' yard sale notice someplace else, asshole" (the New York translation).
	Panel 4:  Freud:  Sigmund Freud (1856-1939), founder of modern 
	Note another "Post no bills" notice, and the "lost cat" poster.
"Miss Kitty" was a character on the long-running television drama
"Gunsmoke".  This is not a coincidence!
	Panel 5:  Mammoths:  Large elephantine creatures that thrived
during the last Ice Age ("that interminable winter").  Now extinct.
	Note the "Sweeney Todd" poster:  "Sweeney Todd" is a project
Gaiman is doing with Michael Zulli.  Note also the "Cats" poster, with the
legend "still here".  "Cats" is a long-running Broadway musical.  The
poster below and to the left of the "Cats" poster may be for "Jesus Christ
Superstar", another long-running Broadway musical.  The inclusion of these
two plays is also not coincidental.

Page 3 panel 1-3:  Note that the "still here" legend on the "Cats" poster
is still visible.

Page 4 panel 1:  Note that the "still here" legend is now obscured.

Page 5 panel 2:  Look, a theme!

3: Who Controls Transportation?

Page 8 panel 2:  Aisleen:  related to Aileen (Irish "Helen", "light") or
Aisling (pronounced "Ashling", the Irish word for "dream", also a class of
poetry featuring a dream vision representing Ireland).
	Panel 5: Delirium is reading NATIONAL GEOGRAPHIC upside-down.

5: Truth or Consequences, and Other Places
	"Truth or Consequences" is a town in New Mexico.

Page 9 panel 8:  Body and Blood:  An oath referring to the Christian mass,
an unusual choice for someone who was in ancient Babylon, but he keeps up
with the times.

4: Bored, She Makes Little Frogs

Page 12 panel 6:  Note that Del has changed clothes and hair, as she often 
does between issues.  "The lawyer" was Capax; the others will soon appear.

6: Ancestral Voices Prophesying
	From Coleridge's "Xanadu".

Page 13 panel 1:  Etain of the Second Look:  Possibly the wife of
Cuchulain, a figure of Irish myth.  Her name translates as "Shining One",
and in Celtic myth, she is roughly analogous to Persephone.  In her
somewhat strange and inconsistent legends, she is a summer maid and a moon 
goddess.  One character central to her legends is Mirdir, a lord of the 
underworld who has a castle on the Isle of Man, where he is protected by 
three anti-social cranes.  Etain would be welcome to seek refuge there.
The "second look" may be the Second Sight, an ability to foresee the future.  
Etain is a self-portrait of Jill Thompson; her apartment is also Jill's.

Page 14 panel 2:  Coleridge:  A reference to the origin of the poem
"Xanadu", explained elsewhere.
	Panel 3:  Quotes from the poem.

7: The Dogs of Art
	A transformation of the poetic image "the dogs of war", from William
Shakespeare's _Julius Caesar_, Act Three, Scene 1, line 274 or 276 (count
varies), as spoken by Antony: "Cry `Havoc!' and let slip the dogs of war."  
See the Appendix for the full text.  "Dogs" in this case are fastening 
devices, although the word probably derives from a metaphorical use of the 

Page 17 panel 2:  This is the missing Endless, Destruction, as should be
obvious from several of his remarks.
	Panel 4:  Barnabas:  An early Christian who abandoned his property
to join the Apostles, journeying with Paul on some of his missionary work.
Clement of Alexandria attributed an anti-Jewish tract to him that was 
actually written much later.  Barnabas is from Hebrew "son of exhortation".

Page 19 panel 2:  Note the sword in Destruction's gallery.  Its presence
here explains why it is not seen in any other gallery.

8: "When I Dream, Sometimes I Remember How to Fly"
	See also the Vertigo Preview.

Page 20 panel 2:  Aeroplane:  an archaic or British spelling of "airplane".

Page 21 panel 5:  The little girl is deliberately drawn to resemble John
Tenniel's original illustrations of the title character of _Alice's
Adventures in Wonderland_.

Page 23 panel 3:  Dream is his office, and he collects titles, but perhaps
he does not have a name as such.

Page 24 panel 3:  The car is identifiably a Morgan, a classy old British
car.  Note that a certain number of Morgans were manufactured for export to
countries with normal driving laws, thus the left-side steering wheels.
	Panel 6:  Change is also an important theme of Brief Lives; we see 
that Del and Dream are changing.  Change is an aspect of Destruction's

Release history:              
Version 1.0 released 15 May 93
Version 1.1 released 15 May 93
Version 2.0 released and archived 14 Aug 93

Contributors include:
	Lance Smith (lsmith@peca.cs.umn.edu) defined "capax", after Tanaqui
Weaver (cen@vax.oxford.ac.uk) channeled Neil to give him a clue.  He also
researched Etain and identified the Morgan.
	Sascha Segan (sascha@MINERVA.CIS.YALE.EDU) pointed out the
significance of the "Cats" poster, Del's unusual reading habits and
changing appearance, and Pharamond's unusual swearing habits.
	Sascha also passed along the words of Micole Sudberg
(sudmici@yalevm.ycc.yale.edu), who identified Etain.
	Lady Johanna Constantine  identified
	Ron Dippold (rdippold@qualcom.qualcomm.com) and Lance Smith
identified Barnabas.
	Marx (cmarx@aal.itd.umich.edu), Colonel G.L. Sicherman
(gls@windmill.att.com), David Goldfarb (goldfarb@ocf.berkeley.edu), 
D.W. James (vnend@Princeton.EDU), Dave McQueen (mcqueen@acf4.NYU.EDU),
Andrew Ducker , Subrata Sircar
(ssircar@canon.com), and Bill Sherman (sherman@math.ucla.edu) and his 
lovely young tankgirl identified the Shakespeare quote.  Lance Smith 
defined "dogs".
	Andrew Ducker also found Atlantis references in BoM and noted the
origin of sadism and the British spelling of "airplane".  R.J.Johnston
(R.J.Johnston@newcastle.ac.uk) also noted spelling intricacies.

Appendix:  Antony's soliloquy, from Act Three Scene 1 of _Julius Caesar_,
by William Shakespeare:

ANTONY  O, pardon me, thou bleeding piece of earth,
        That I am meek and gentle with these butchers!
        Thou art the ruins of the noblest man
        That ever lived in the tide of times.
        Woe to the hand that shed this costly blood!
        Over thy wounds now do I prophesy,--
        Which, like dumb mouths, do ope their ruby lips,
        To beg the voice and utterance of my tongue--
        A curse shall light upon the limbs of men;
        Domestic fury and fierce civil strife
        Shall cumber all the parts of Italy;
        Blood and destruction shall be so in use
        And dreadful objects so familiar
        That mothers shall but smile when they behold
        Their infants quarter'd with the hands of war;
        All pity choked with custom of fell deeds:
        And Caesar's spirit, ranging for revenge,
        With Ate by his side come hot from hell,
        Shall in these confines with a monarch's voice
        Cry  'Havoc,' and let slip the dogs of war;
        That this foul deed shall smell above the earth
        With carrion men, groaning for burial.

© by Ralf Hildebrandt
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This file was last modified 27. Jan 2007 by root