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                         The Annotated Sandman
       Edited by Ralf Hildebrandt and largely written by Greg Morrow and David Goldfarb
                          Issue 50:  "Ramadan"
                    Neil Gaiman and P. Craig Russell

              Fourth story in anthology _Distant Mirrors_

Note:  This story was written in prose by Neil Gaiman, then adapted to comics
by Craig Russell.  Most of Russell's work has been adaptations.
	Arabic words (such as "Koran") were originally written in Arabic
script.  There is no exact way to render them in the Roman alphabet, but
common transliterations have been used.
	This story is designed to reflect the Thousand and One Arabian
Nights, a traditional Arab anthology.  The edition used for reference is 
Jack Zipes, Arabian Nights (Adapted from Richard F. Burton's unexpurgated
translation), New York:  Signet Classics, 1991.  ISBN# 0-451-52542-6.

Page 1:  An abridged version of the opening of the Arabian Nights, akin to
the invocation of the Muses in classical literature.  "There is no god but 
Allah, and Mohammed is his Prophet" is the profession of faith for Muslims,  
and all good Muslim books are supposed to begin with it.  Mohammed (c. 567-
7 June 632) founded the religion of Islam and wrote the Koran.

Page 2 panel 1:  Baghdad:  Located on the Tigris River, the capital of
modern Iraq.  Haroun Al Raschid:  763-809, ascended as the fourth Caliph of
Baghdad in 785.  He had two grand viziers: Yahya ben Khalid the Barmecide,
followed by Fadl ben Rabi`.  Al-Raschid was renowned as a warrior, a
scholar, a poet, an able administrator, and a patron of the arts, although
some modern historians take a dimmer view of his reign.  He is a
protagonist in the Arabian Nights, and represents the ideal ruler in Arab
	Panel 2:  Geomancer:  "Earth-sorceror".  Jurists, grammarians,
cadis, and scribes:  The 1949 edition of the Encyclopedia Britannica uses
(in part) exactly those words to describe Al-Raschid's court.  Gaiman is
known to use an 1890 edition of the same work.  Q'uran:  Another
transliteration of "Koran".

Page 4 panel 4: The calligraphy in the word balloon, although similar
in style to Arabic writing, is not actually anything in that language.

Page 6 panel 6:  Jafar, Masrur:  Both characters are seen in the Arabian
Nights.  Masrur is referred to as a eunuch, which is not inconsistent with
his role here of executioner.

Page 7 panel 1:  Many of the Arabian Nights feature royalty disguised as
	Panel 2:  "Poor boy makes good" is found in the Arabian Nights, but
no specific reference has been identified.
	Panel 3:  From the Arabian Nights, "The Hunchback's Tale" takes
place in China (as do many of the other tales, although there is no
significant Moslem population in China).  The hunchback was the court 
jester for the king of China, and was invited by a tailor and his wife to 
dinner.  The wife challenged the hunchback to swallow a fish in one gulp, 
bones and all.  The hunchback tried, choked on the bone, and fell down
dead.  The tailor panicked and took the body to a Jewish doctor, leaving
it in the  waiting room.  The doctor came out only to find a dead body, and
thought that he was too slow in coming out and that he had killed his
patient.  So,  he took the body and dumped it in his neighbor's yard, who
thought that the body was a thief, and so on.  In the end, the body passes
through seven people, all of whom think they killed the hunchback.  In the
end, a talkative barber comes by, sees that the hunchback is only
unconscious, and pulls out the fishbone, bringing the hunchback back to
	Panel 4:  No exact reference for the horse, although there is a
tale about a mechanical flying ebony horse in the Arabian Nights.

Page 8 panel 1:  Muezzin:  Muslims are required to pray at certain times of
day; the Muezzin is the one who gives the call to prayer. Note that,
although he hears the call, Haroun does not pray.
	Panel 2:  Ramadan:  The ninth month of the Moslem lunar calendar.  
Zubaidah:  Haroun's senior wife.

Page 9 panel 1:  Jafar the Barmakid:  Jafar was the son of Yahya ben Khalid.

Page 10 panel 1:  Ishak:  The 549th of the Thousand and One Nights begins
"Ishak's Winter Evening": "The musician, Ishak of Mosul, al-Rashid's
favourite singer, tells the following tale."

Page 11 panel 3:  Place of women:  In Arab society, rulers keep harems 
full of female concubines.  Of old, to insure their fidelity, the harems
were guarded only by eunuchs.
	Panel 4:  Oubliettes:  From the French "forgotten", a small and
miserable hidden cell.

Page 13 panel 5:  I flashed on the Nome King's jeweled forest from 
_Tik-Tok of Oz_.

Page 14 panel 1:  Rukh:  More familiarly rendered as the Roc of Madagascar. 
From "The Second Voyage of Sinbad the Sailor".
	Panel 3:  Phoenix:  A mythical bird which lives one thousand years,
then dies in flame and is reborn from its own ashes.  There are no eggs in
the traditional version of the story, nor is there a phoenix in my source
for the Arabian Nights.
Sorcha  found this the Encyclopaedia
Britannica under the entry on the phoenix: 

in  ancient  Egypt and in classical antiquity, a fabulous bird
associated with the worship of the  sun. The Egyptian phoenix was said
to be as large as an eagle, with brilliant scarlet and gold plumage and
a melodious cry. Only one phoenix existed at any time, and it was very
long-lived--no ancient authority gave it a life span of less than 500
years. As its end approached, the phoenix fashioned a nest of aromatic
boughs and spices, set it on fire, and was consumed in the flames. From
the pyre miraculously sprang a new phoenix, which, after embalming its
father's ashes in an egg of myrrh, flew with the ashes to  Heliopolis
("City of the Sun") in Egypt, where it deposited them on the altar in
the temple of the Egyptian god of the sun, Re. A variant of the story
made the dying phoenix fly to Heliopolis and immolate itself in the
altar fire, from which the young phoenix then rose.

Page 15 panel 3:  The Seal of Solomon has power over spirits.  See below.
	panel 5:  The arches and columns seem to be taken from a photo
of a famous gallery in the mosque in Cordoba, Spain.

Page 16 panel 3:  Ibn:  "son of" in Arabic.
	Panel 6:  Sulaiman ben Daoud:  Solomon, son of David.  From the 
_Goetia_, the Lesser Key of Solomon:

     These be the 72 Mighty Kings and Princes in which King Solomon
     Commanded into a Vessel of Brass, together with their Legions. 
     Of whom Belial, Bileth, Asmoday, and Gaap, were Chief.  And it is
     to be noted that Solomon did this because of their pride, for he
     never declared other reason why he thus bound them.  And when he
     had bound them up and sealed the Vessel, he by Divine Power did
     chase them all into a deep Lake or Hole in Babylon.  And they of
     Babylon, wondering to see such a thing, they did then go wholly
     into the Lake, to break the Vessel open, expecting to find great
     store of Treasure therein.  But when they had broken it open, out
     flew the Chief Spirits immediately, with their Legions following
     them; and they were all restored to their places expect Belial,
     who entered into a certain Image, and thence gave answers unto
     those who did offer Sacrifices unto him, and did worship the
     Image as their God, etc.

The globe is probably a reference to this story.  Imprisonment of ifrits is
common in the Arabian Nights, most familiarly in the story of "Aladdin and
the Lamp".

Page 21 panel 1:  The story is "The Fisherman and the Jinnee".  Naturally
Dream knows it.  Dream calls himself neither foolish nor boastful nor lonely.  
_Distant Mirrors_ is meant to reflect Dream as he once was.
	Panel 6:  Flying carpets are a staple of the Arabian Nights.
Master Arabian weavers were apparently so talented that they purposefully 
wove a single flaw into each carpet, feeling that it would be disrespectful
to Allah to create something perfect.

Page 22 panel 5: This writing, like that of 4:6, is not real Arabic.

Page 25 panel 2:  Merchant:  Possibly a Sinbad story, but no exact ref.
	Panel 4:  The story of the beautiful woman-turned-donkey 
resembles "The Tale of the Merchant and the Jinnee."
	Panel 6:  Dirham:  A (fairly small) unit of currency.

Page 26 panel 1:  Bargaining of this histrionic, exaggerated fashion
is commonly portrayed in stories of the Mideast.
	Panel 5:  Of course there's a story.  This is the Arabian Nights.
Note that all of Haroun and Dream's encounters in the marketplace involve
stories as well as material goods.

Page 27 panel 7:  Reminiscent of Shelley's "Ozymandias".

Page 31 panel 1:  The city in the bottle was seen in 27:20.1.

Page 32:  Baghdad was bombed repeatedly during the Gulf War, and on at
least two occasions since.  The storyteller has been interpreted as the 
Caliph himself, made as undying as his city.  However, the replacement 
of the mythical Baghdad with its mundane, historical counterpart suggests 
that Haroun himself also underwent the same transformation, which would 
tend to preclude his identification as the storyteller. 
	Panel 8:  Cities of Brass:  The homes of the ifriti. Or, perhaps,
a reference to one of the stories in the Nights concerning an uninhabited
treasure house.

Release history:
Version 1.0 released 18 Jul 93.
Version 2.0 released 26 Apr 94.

Contributors include:
	Torsten Wesley Adair  passed along
information about the adaptation of the story.
	August Paul Yang (wntrmute@jhunix5.hcf.jhu.edu) identified the Seal
of Solomon.
	Edward Liu  identified Arabian Night
references, using the Zipes edition.
	Steven Caplan (killraven@aol.com) identified many borrowings from
the Arabian Nights and was otherwise useful in elucidating Arab culture.
	Alexx (alexx@world.std.com) identified Zubaidah and made a number
of other comments on Arab culture in general and the historical Haroun
in particular.
	Ian Taylor (ian@airs.com) identified Ishak.
	Bill Sherman (sherman@math.ucla.edu) identified the mosque at
Cordoba and commented on the city of brass.

			    David Goldfarb

© by Ralf Hildebrandt
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This file was last modified 27. Jan 2007 by root